<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "The highly anticipated third season of The Crown begins with an angry breakfast. The queen, now 38 (Olivia Colman, the Oscar-winning actress in 2019, replacing Claire Foy) He has seen the photos of his profile for the official stamps and currency, reflecting his transition from rookie monarch to “established sovereign,” as his delicately private secretary says (“old witch?”, was his own opinion), and is taking it out on jam and toast. It is the most expressive, as head of the Windsor clan, which can be by protocol. The lady is, after all, Elizabeth Alexandra Mary, the sovereign queen of the United Kingdom and all its territories. "Data-reactid =" 22 "> The long-awaited third season of The Crown begins with an angry breakfast. The queen, now 38-year-old (Olivia Colman, the Oscar-winning actress in 2019, replacing Claire Foy) has seen photos of her profile for official stamps and currency, reflecting her transition from rookie monarch to “established sovereign,” as her delicately private secretary says ("old witch?", it was her own opinion), and she is taking it out on jam and toast.It is the most expressive, as head of the Windsor clan, which can be by protocol. It is, after all, Elizabeth Alexandra Mary, the sovereign queen of the United Kingdom and all its territories.
<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "The new season of the award-winning series begins in 1964 and ends 13 years later with the silver jubilee that celebrates the 25th anniversary of the reign of Isabel II, and is seasoned with all personal dramas, behind-the-scenes machinations and a monumental antagonistic figure in Princess Margarita (now interpreted, with a masterful disdain and endearing eccentricity, by a huge Helena Bonham Carter), while Tobias Menzies, like Prince Philip, receives (and surely enjoyed) some of the best dialogues, but also deserves special mention for his careful portrait of a charming, brutal and injured man; figures that support Colman first, as well as flavor and an irresistible character to the chapters. "data-reactid =" 23 "> The new season of the award-winning series begins in 1964 and ends 13 years later with the silver jubilee celebrating 25 years of the reign of Isabel II, and is seasoned with all personal dramas, behind-the-scenes machinations and a monumental antagonistic figure in Princess Margarita (now interpreted, with a masterful disdain and endearing eccentricity, by a huge Helena Bonham Carter), while Tobias Menzies, like Prince Philip, receives (and surely enjoyed) some of the best dialogues, but also deserves special mention for his careful portrait of a charming, brutal and wounded man; figures that They give Colman first-rate support, as well as flavor and irresistible character to the chapters.
<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Like the previous two seasons, each of the 10 episodes of the series focuses on a different time during the reign, whether focused on the monarch or a member of his famous family.Thanks to the passage of time, teenagers Charles and Anne (or, Prince of Wales and Princess Anne) figure much more, and with them they bring a surprisingly sad perspective on what it must have been like to be a child in the royal family, particularly the heir to the throne at an early age, such as he interprets it, with a touch of melancholy Josh O'Connor, while Erin Doherty brings a touch of humor and instant sympathy to the queen's only daughter, one of the characters that is less known in the media – it has always been frank and sincere, but reserved-, making it the revelation of the season. "data-reactid =" 24 "> Like the previous two seasons, each of the 10 episodes of the series focuses on a different time during the reign, whether centered on the monarch or a member of his famous family.Thanks to the passage of time, teenagers Charles and Anne (or, Prince of Wales and Princess Anne) figure much more, and with them they bring a surprisingly sad perspective about what it must have been like to be a child in the royal family, particularly the heir to the throne at an early age, as he interprets it, with a touch of melancholy Josh O'Connor, while Erin Doherty brings a touch of humor and instant sympathy to the only daughter of the queen, one of the characters that is less known in the media – she has always been frank and sincere, but reserved -, making her the revelation of the season.
RELATEDHelena Bonham Carter as Princess Margarita | Photo: Courtesy Netflix
More <p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Moreover, the show also deals on the political side of the reign, this time focusing on the Labor government of Harold Wilson, (played by a fantastic Jason Watkins) and how a link was established not only professional but friendly between the reluctant monarch and the informal premier. Although it covers a past historical period, the series feels surprisingly current, with the United Kingdom so at odds with itself, the pound is devalued and newspapers cause agitation to enrage the public. Almost as it happens now with the whole Brexit issue and widespread discontent with Boris Johnson. "Data-reactid =" 36 "> On the other hand, the show also deals with the political side of the reign, this time focusing on the Labor government of Harold Wilson, (played by a fantastic Jason Watkins) and how a link was established not only professional but friendly between the reluctant monarch and the informal premier.Although it covers a past historical period, the series feels surprisingly current, with the United Kingdom so in disagreement with himself, the pound is devalued and newspapers cause agitation to enrage the public, almost as is the case with the whole Brexit issue and widespread discontent with Boris Johnson.
How much artistic license have the writers taken? Impossible to say, (although I personally do not believe that the supposedly planned coup against the government of Harold Wilson has ever overcome the fantasies of some conservatives).
There is also tragedy (Chapter Three focuses on the disaster in the mining village of Alberfan in Wales, which occurred in 1966, an event that, to date, remains a cause of regret for Elizabeth II). One can only imagine the challenge that must have represented for a naturally emotional actress such as Colman (her interpretation of another English queen, in the Oscar-winning film The favorite, is precisely that: electrifying emotion), remain glacial during some of the most heartbreaking events They are portrayed in the series.
Read more
Photo: Courtesy Netflix
More <p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "In fact, the famous emotional state of the queen, with her serenity at all costs, is a constant element in the program. Finally comfortable in her role as sovereign, the queen this season is a person who has apparently become insensitive to the horrors that take place in her country, as well as within her own family. This makes the flashes of heartbreak and unease that we see in it more shocking. Despite being a fictional program based on real events, it will surely arouse the curiosity of the spectators about how Elizabeth Windsor, the wife and mother of the family, opposed to Isabel II, the most famous woman of the twentieth century, handled certain situations throughout of the decades, particularly in relation to the treatment of his son, Prince Charles and his tense relationship with his father, especially when a young woman of a strong character appears on the scene at the beginning of the 70s and something older than him called Camilla Shand (later Carter-Bowles, played by Emerald Fennell), which the Duke of Edinburgh and father of the prince does not like, so Buckingham begins to talk seriously about finding a "suitable" consort for the heir. "data-reactid =" 54 "> In fact, the famous The emotional state of the queen, with her serenity at all costs, is a constant element in the program.Finally comfortable in her role as sovereign, the queen this season is a person who has apparently become insensitive to the horrors that take place in her country , as well as within her own family. This makes the flashes of heartbreak and unease that we see in her more shocking. Despite being a fictional program based on real events, it will surely arouse viewers' curiosity about how Elizabeth Windsor, the wife and mother of the family, opposed to Isabel II, the most famous woman of the twentieth century, handled certain situations over the decades, particularly in relation to the treatment of her son, Prince Charles and his tense relationship with his father, especially when at the beginning of the 70s he appears on the scene – very discreetly – a young woman of a strong character and somewhat older than him called Camilla Shand (later Carter-Bowles, played by Emerald Fennell ), which the Duke of Edinburgh and father of the prince does not like, so Buckingham begins to talk seriously about finding a "suitable" consort for the heir.
Carlos and Camila | Photo: Courtesy Netflix
More <p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Even if Elizabeth married Philip –que in 1947 he had nothing to offer him – specifically for love (as we saw in the first chapter of the series), as crowned head his intervention on the subject will indicate otherwise (and for next season, to be released in 2020, we will have the years of Diana, which will be played by the young Emma Corrin, as confirmed last April by the chief executive producer and screenwriter, Peter Morgan). "data-reactid =" 66 "> Even if Elizabeth married Philip – who in 1947 had nothing to offer her – specifically for love (as we saw in the first chapter of the series), as crowned head his intervention in the subject will indicate something else (and for the next season, to be released in 2020, we will have the years of Diana, which will be interpreted by the young Emma Corrin, as confirmed in April past executive producer and main screenwriter, Peter Morgan).
<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "While sometimes the series sins a little, so to speak, of being a fancy soap opera (especially when the Margarita de la Bonham-Carter appears smoking like a chimney and impossibly chic) this is an excellent return to the world exposed in the first two seasons in a program that has shown that a radical change of cast does not take away what makes it so successful and addictive: the inexplicable fascination around the world for the tormented, surreal, endearing and detestable too, British royal family, with the true (and still radiant of charisma) Isabel II as the longest-lived monarch in history. "data-reactid =" 67 "> While sometimes the series sins a little, so to speak, of being a soap opera of luxury (especially when the Margarita de la Bonham-Carter appears smoking like a chimney and impossibly chic) this is an excellent return to the world exposed in the first two seasons in a program that has shown that a radical change of distribution does not take away what It makes it so successful and addictive: the inexplicable fascination that exists around the world for the tormented, surreal, endearing and detestable too, British royal family, with the true (and still radiant charisma) Isabel II as the longest-lived monarch in history .